What movie scene is still controversial in the Arab region since the constant supply «January Bouazizi» to this day. In less than 3 months saw the Arabs in their homes, changes not seen for more than 30 years.
Arab Scene «Film» now crowded with all types of art VII: Action, Tragedy, Comedy, Fantasy, Science Fiction, «Bal» literary!
The difference is dramatic in the landscape: the comedy where getting worse tragedy (as in the Libyan case in particular).
In the past ... The tournament was launched in the Arab scene is always the
heads, and the people are the extras. Now the tournament is the absolute of the people and the championship second round of the Championship and the President of the third round of the spectators, through the «facebook» and «twitter», no extras after today!Box office crowded audience of American and European, African and Asian, to watch the movie: «revolution», directed by world renowned: «facebook».
Endings varied as different ends of the films in the cinema as well:
Tunisia came in the end the hero a sudden, fast and quiet Khdu Tunisians, before it saturated the hearts of viewers dazzling dramatic escalation.
Egyptian case ended up as ends Egyptian films ends an emotional and happy the joy of the viewers to relieve anxiety before leaving the showroom: caught the thief, and the army Atjoz revolution after the love story short, the doorman who was Bertb all concerts suddenly disappeared at the end of the movie (and Bicoloa that even the film's director, not for the protective reduce this moment!).
In Syria, will turn the movie into series of workshops in tandem, and then parts of the sequence on the way the Syrian «warm», in every part «quip; witty» differs from the one that was in the part before him, to understand the scenes that «warm» controlled by Qubzaiat adults, and not «quip; witty small»!
Experience in Yemen will be converted film scene, is not uncommon in the culture Albulqaysip, to a hearing Classic «napped» Hair San'aani is enriched and the melody and dance Hadrami Adeni famous.
The Libyan Arab Jamahiriya is an exceptional case always, because of the lack of experience dramatic Libyan because also the abundance of tragedy and comedy together in the text-Kharafi, who wrote «writer» Gaddafi, will be used to «troubleshooting Indian» fluent integration of tears of joy and tears of grief in one scene, and the songs of anger, the hero oppressor and the songs of anger, oppressed with the hero in the same «Allokishn», hallucinations Balmahbub with ecstasy in one field. And stretching the film director will ensure that the Libyan way in integrating the Indian forces «Cobra», elephants and donkeys in both sides of the conflict, but in the showroom itself!
Will be the end of the film-Libi, the pattern of the ends of Indian films also crowded Bturagidea, as die-Harami, who fear the villagers lived, but after he died, all residents of the village, of course, because of friendly fire from the exit ... Sithort which in turn is also in the scenes of the film and get injured and will spill a lot before he could escape from the Plateau photography ... Stabbed broken conscience (conscience oil).
In the showroom, adjacent to the main hall, is displayed «shorts» dealing with stories «reform» in which the line was not too dramatic, and thankfully, to the point of requiring conversion to the film «revolutionary» long.
On behalf of Arab viewers ... We hope not to turn into short films to feature-length films, feature films, and end a happy ending ... Where all the arrested thieves, and established a genuine love story between an Arab army and the Arab people, as happened in Egypt ... But we want a love story does not end the marriage virginity!
التسميات
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