Always read as a modest collection of poems I put myself on the traditional question: What is poetry? And was followed by questions about his relationship with the other in prose, and the difference between them, as well as other arts. I start with this speech, I read a collection of poems titled (poem poems individuals and ten other similar thereto) by Faisal Akram.
** The first thing Afjana repetition of the group is technically or aesthetically justified in all its forms: single and structure, image and idea, and construction. It says writer in this area:
Asme delirious ground in their words
Asme this land in their conditions
Asme we write on the shells and the language of respect.
See (p. 13.14), as well as saying:
If the chirp, chirp, if you learn to crow Twitter
If the grade
Grade you will not ever-necks
If the grade / grade if.
And repetition here all his organs related to poetry, prose or even artistic.
And when to not be when the writer something to chew the cud on the same as saying:
We love and tell
We love and stay
We love and cry
We tell stories, and how the narrators? Such as songs.
See also page on this pattern:
** Followed by repetition copying the topic, and to record, display and use of direct sponsor. The task of art in general and poetry in particular that is a world parallel to the Oaqaan subjective and objective which reflects the artist's vision, visions, and the more the distance between the poles became a great composition closer to the art, and the closer the match or two with them entered into the registry. What we're saying in the group and the absence of distance, or a semi-adhesion between him and which led to the occurrence of the texts of the victim group registration and copies. Of that saying of Tramp:
Spent the old distinction between yellow and gold
Spent the old distinction between the trees, and firewood
Has not eliminated one hour
To differentiate between himself and the agony
Step walks and stands
Holding step and trembling
And leaves between his hands to vibration
Strips accumulated between forehead and brain
Is now the difference between yellow and yellow
Differentiate between gold and gold
And Ailtvt to wood and trees.
** The third weakness of the drawbacks of the group idea and naivety. I mean that there are large areas of the vacuum surrounding the texts on the level of significance. Says:
Now your voice Kalsdy
In the Rue tunnels and hidden graces
We recognized: the silence is Aalscott
The houses are Aalbiot
What matter if the tone has prepared other
You or borrowed from the wall stiffness even protect you?
Why do you any harm if the place Sastafak?
Are not Kaljmr Alhnon? Are not Kalpwab guarding your heart is taken from you
To the country would not be?
Was not by the bone and nerves?
Was not the question and answer
If you log out of the biography of enemies and loved ones.
This confirms the saying:
Is a life: a waiter in a dish cloth
Is a life: Map of the fighter, however,
Is a life and you are the
Do Stjpk alternatives?.
And has weakened the semantic level to the point that we Anjad something that can stand him, Oalhaddat him, such as saying:
Think at the moment that the country is offline remote beautiful
And that the wiser heads only
What do you think?
Nothing like you in all of this if you do not think, and also considering
What happens if I were not in the midst of life?
What will be the first if you are not coming from?.
And as such are the texts of the group.
** The fourth sockets crudely, I mean disharmony and chaos, such as saying:
Smirak: incision young
Ssadorak: Habrk and writers
And honest: sadness and layer language, meanings and Fog
You are standing here No one
You are here and scared
All of them traveled to the country.
And he said also:
Walks away Alhabtat rocks of the mountains.
** Fifth pocket. It Alaúmha: congruence between the text and subject, and the weakness of the idea, and weak expression, and the absence of imaging, and decision-making, he says:
I am I like the hair you did not remove the
But something in the conscience wants to come to life
Those who die, if the finished silent
I did not like children, only one
When a kid I killed my child's desire to live in
I was a child when I left my house of flies
Left in my lips drink the bitter
I was a child when I saw the yacht Assaloca
In GNP and coral Aasl
I saw members of the men was seen only in the homes of couples
All the long-lost me, but I see it
Father was not there one day.
- And the sixth double sockets deal with the situation and subtraction:
Asme delirious earth and spirit sit-
Everything in the land of tired words
Only the names, we write and walk behind
And come back forget it was the language I'm
Can we interpret the Sacred act?.
** It is the seventh worse and make the prose-based group started by giving the major area of vision, which was built to confirm the unit and void and silly questions, while the vision was narrow, and clear so that you know what the poet wants,. This is a natural match for which we have referred between the parties and the subject innovation. Says:
Why try if you come, and did not find anyone Miswak?
Why try I saw that, Lerch was one there?
This is why you are in, and you have left your hands?
Where open Gerg extends into the body of the soil, and you alone, and absence?
Punishment is the torment
And write them out, although you will remain in the book
Will understands the dust
Will say: What have lived in us
AMAT may silence us and then died.
** It is the eighth that made the problem more obvious concern in the selection of the art form of the texts, Kit is dealing with both vertical and verse poems.
التسميات
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