Manifestations of modernity in the literary context of the West generally, and in France in particular, the emergence of the so-called new wave of novel methods of art that came and announced a new narrative methods, which, Kotaiatha with tradition in the classic novel.
Has succeeded Jean Ricardo, one of the poles This wave feature, choose the appropriate formula to express this transformation, when he said that the new novel is not a "writing an adventure," but is "an adventure in writing." The intention was to bet the new novel is not the narrative of the adventures and tales, but it is a tool to engage in basic language.
This seems to be the bet of Issues of concern in writing was not limited to the novel alone, but became obsessed with writers of contemporary poetry in general and on the stage as well.
Perhaps this is what made the students see a "The issues addressed by the writing" literature "in the texts become" modern "symmetrical dominant Isotopie dominante.
The choice of the word "symmetry" of the expression of this phenomenon confirms, unequivocally, the presence of frequent and repeated concerns in writing the text, especially since the modern Symmetry as defined by Chrimas - is "an arbitrary set of properties that allow reading Results Consolidated Mga".
The text talk is no longer expected to mirror the cash to be seen through it to himself, he became Mraiyah creates special inside. Has become, therefore, this text to a concave mirror, or rather to "Leaded glass is Glace sans Tain "According to the expression Alastara Claude Ibasitado.
If this metaphor suggests that the text no longer reflects something in the fact of the matter, which makes us suppose that the phenomenon of interest in adventure writing phenomenon is positive, the opposite is what is expressed in some, while sees in a moment of practice text to critical thinking and theoretical "the most fertile moment, where the permeate production script Reflections cash becomes read-write to write, and practice Tnzira practice".
The transformation defined by the modern literature of writing adventure to adventure writing, resulted in a shift in the nature of the practice of cash itself. If the innovation has allowed himself to penetrate a world currency to the extent of containment and absorption, the criticism, in contrast, knew how to come out of the shell and break the fence and scientific rigor to become creative, in turn, capable of being read as you read its literary effects.
The currency shift - in this new context - to write. Perhaps this is what refers to Roland Barthes in "cash and the truth" when he says: "The writer is of the line for his dilemma, he tested the depth of view is not Adatih or beauty.
So, I was born written cash offer herself to read by the same methods used to read the impact literature itself, with the writers do not consider, according to their status, but critics do not book. If the criticism of the new reality of what it is here: It is not in the unity of its methods, nor in the trend of showing off that support it - as some say - but in the isolated act of criticism that is rooted From now on, away from the pretext of science and institutions, as a complete act of writing itself ".
This mutual penetration between creativity and criticism is the title of the modern literary
And cash, particularly that review, clearly, in the theory of species that emerged from the thought that made the classic theory of the Aristotelian doctrine or the doctrine of Doxa It is not a viable aesthetic perception and penetration exceeded. In light of this shift, should be seen as an aspect Almitanasih in literary and Mutaichar and Almitarwayh Almitamsarh Ktglaat and quality of this appearance.
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