While the August sun Tbdhirna
On the first field and the distance between Rmantin away
Become the paths of our skies Songs of the Silver
Take us from our hands to the first age
In honey bees, go to
Sidr Adhupth into contact with our steps in the small
How we continue to watch behind the remote
Butterflies souls
Hadeel's rise above the bathroom
The agnostic why - and I read a group on al-Hazmi (gazelle drink image) - was coming in to my mind urgency names: Zorba, and Lorca, and Princess with vigor, and Riad Saleh Hussein, and Zechariah Almrsla, and Skibbe? Now the search for freedom and purity and ambition is the attitude of these people? Or is the desire to welcome the move towards space, and beyond what is familiar is the dream that had gathered them together? Or is all this and that they are obsessed with a search for the lost time? When I read the group to al-Hazmi Astvzatna formations, and I had a strong desire to go ahead and Highnesses, I felt pleasure happy to agnostic essence, though marred by something of a concern, and took place in my mind questions barely finished. The true innovation is the one who takes away the fear ourselves, cleans our souls from fear, and made us feel our humanity, and makes us happy as children. The rationale for this will be reviewed in the following sense:
First - The first thing that is striking in the group (Chemistry) formed by the poet Between the elements of nature, and the vocabulary of rights, and the concepts of love and freedom and beauty. It can be confirmed - through this - that there is no dividing lines in the group between these things, First, there is a united and integration between all the constituent elements of the situation of poetry, Secondly, there are exchange and the opening is not restricted between the characteristics and ramifications of them, and we Thirdly - and as a result of this chemistry - in front of configurations new climates and what it is to be only through the chemistry. As a result, the uniqueness in the formulation of the technical picture, it took advantage of the poet of nature's elements Bmessahadtha wide and Ozvha in building poetic text. The components that formed the image space: spatial, and the emphasis on raising awareness of moral and abstract, diagnosis, and humanism, unity through diversity, romance, and clarity of the scene, and the purity of the relationship.And support structure, which is the richest and climate as well as all of this (intertextuality) with folklore, such as saying, while our souls fall asleep Sanabel
Hazeea Srertha in rural areas
Comes packed with the southern breeze
Bmooel songs and nearby
Tired of
Was Atifk Abdhirna in the fields
Like the grain of wheat taper face of the soil
To disclose potential heartburn
Tired as I love Aisha
And intertextuality within this climate and the popular saying also:
Whenever our eyes away
Songs harvest and left
With a grain of wheat cereal last
Returned to the bathroom outside our house mud, and poured on the plains of silence Hadeel
In our blood Trutala Toarb weird Alnayat
In the lungs of the poem while Tketbna
Second - no mention of the poet in (field of vision) to the topic / the other side parallel to the I, but its impact was irrevocably with its focus on the individual embodiment of weird, poor past and uncertain future, say for
Did not realize
Wilting to step on the clay
Ogotna gazelle when provided lists of
Of silver to the times in our tomorrow Shareed
Did not differ much from yesterday loneliness
Change, but our voice has since grown in the shade to speak
On the edges of silence
Dried blood in question
Do you write a minimum
We were born from the past
Was it enough
To remain at a distance of Street
Of our soul
Was it not for the life of another door to turn away
Tomorrow for the patient
It should be noted that it is the things that reinforced the alienation of the individual in the group and confirmed that the weight of vision was based on the individual (geographical area) widening that won it without the other elements, and (centrality) for the space of semantic and (addresses most of the texts), which were as follows: (a detailed and our brutal, Tbdhirna sun of August, the gazelle drink image, Palm assigned age, branch and only to sing, wing to the imagination, when Tsahben flute, and night is possible, of the Wind Horse of thy youth, Nbll our feet to speak - you go to your soul).
Third - The vision Vtgesdt through (autism Sufi Women), which make everything else irrelevant. Perhaps this concept of vision and the context in which it raised through a natural reaction to the image of the individual (the critical) vision. Valmlaz natural social and spiritual predicament of the individual is a woman, but that the power crisis embodied in the texts of the individual was behind the search not for women as well, but to unite them. It is a source of warmth and affection and protection. The Group through this context can mobilize through the subconscious (feeling of childish term), and emphasizes the individual's desire to return to the womb of the mother. It is the only the only place that protects him from fear, and make him feel balanced, and makes it out of the contradictions that Otabth and exhausted spirit, which is also expressed his disaffected from the bitter reality. Says:
Night after night for your eyes
Deserves to take care of
To train the soul after bath
Subject to tracking
I love you
Aauda extension of nostalgia
Mattresses on to Wilna following
If the time traveler landed
Between you and me
He also says in this climate
Because I love you
More than ever before
Respond to step on your shadow Ghazal
Khalakhilk
Induce the horses waiting deferred
Time in remission
It combines the texts of former saying in another site, stressing the case of mysticism this:
If not us together
Is reconciliation in Wreden
Complied with for the way of life
Have contributed to a number of things essential to show the scene of the vision, composition and presence, and then influence, the first (the presence of nature) and (a concept of freedom and love), and second (lexicon poetic), which came vocabulary in this way: (the sun, afternoon, fields, Ghazaleh, wasteland , Sanabel, chapters, doves, feather, night sky, villages, Raahin, wormwood, shadows, star, flower, branches, palm trees, greenery, this morning, the coast, paths, neigh, wings, spring, undulated, sail, boats, beaches , Winter, algae, mattress, deer, dove, Fife, fronds), and the third continued to press in all the texts without exception ('s words), it (the trees of the night, Coast of age, the path of waving palms, Cefsafh intimate, Ghosn, covetousness, the silence of marble, the window of speech, the body of the bed, a bathroom spirit, salty night poem, fatigue emeralds, flowers chest, reported speech, the winged joy, time, trees, Suite lists, gloves hills, Silver water, and solve day, Mat spirit, past the River fire, feather fields, ere the time our souls, the body of water , Feather poem, Ghosn heart).
Note from the above that (Chemistry Language) was the important aspect of moving the joints of the text, drafted aesthetically, and was also behind the production of a set of aesthetic values that formed the other dimension of the Group, and summary Meijerma the poet and wants to stay with the recipient, along with illusions and symbol. The group reflected on the Jamalitin two values: the beautiful and tragic.
First - the value of Gemayel formed this value in the text of a set of elements of the first (women) as an entity in a central independent, the second (the relationship Sufi Women), and the third (the relationship of intimacy between the elements of nature on the one hand and between them and elements of the human on the other), Fourth ( the diversity of the picture elements), Fifth (romantic transparent). Was provided through the beautiful sensuous and spiritual ends in parallel on one side and an interactive hand is more likely. This is why we say that the poet seeks to Hazmi introduce the concept of perfection through the beautiful, where added to the ends of the sensory and spiritual freedom and purity of nature and unity through diversity and transparency. Says:
Tntherin braids when your hair
Near the spring bloom your soul
Water in the lock of Rehana Hadeel seduction
Short-winged breeze is gentle leavened
Classes Wormwood behind the shadows
How many shrubs remain bewitched
Anthem dissolved the silence
Ttalan breeze and you are the last
The hearing from the eyes of the villages
And the intimate relationship and unity of women and the mystic quest Highness gratitude to the rank of perfection as saying:
Not in the old room
To walk on the shores
We can not list the scandal
Two books in two separate
For the time and spirit
We do not have the option of last resort
But to Nanbye
In two bodies
I must Okounk you
It must be you to be I
Second - the value of the tragic: this value is formed from the inability of the individual to achieve his dream, a prominent integration of women, and the imbalance here stems from complete paralysis in the inability of the individual to do something. Dream in a dream not remain parallel relationship, and life can not be without breaking this parallelism, and in fact the other hand, in the vision of the enemy, and perhaps this is why the discrepancy in the sense of the tragic and the tyranny of a party against the prominence of the beautiful. Has contributed to intertextuality with the life of Spanish poet Lorca in deepening the gap between the tragic and beautiful, and transferred to the concept of just a tragic state of the art embodied in the poetry is art, says:
Love
Like all strangers are born from the end of his dream
Remains deposited between blades Imamtin
Massages from the poetry of Lorca
Nights in the last
Now become tired like me
It seems incapable of the same
The dream of me
To leave this world on an equal
Going to solve disappointment
Fires and the river flows past tomorrow
And emphasizes the poet in the following text disappointment subject / other party to the equation: how to live on the bank eroded from beneath us
Bathroom and leave the halls of
Contempt winged in the courtyard house
Light Kzlk claimed the bathroom
Hovering over the Sidra grief in feathers
Was carrying my name and your name
Between the wings Hymn of Hadeel last resort
And a safe distance to the West
He bore tragic Napoleon represented the key elements in the ego and O., is it, add to them the elements of nature and time, the inability of these elements to come together was the most important motivation to feel pain. Says:
Night was busy beaches
Prayer Alyrouhna
And aspirations of small flowers
Remained on the coast of age
Dried remained absent (85)
We note here that addresses key can be extracted from moving during which Qmita Altergide and beautiful, and then the most prominent elements of the group, its climate and imposed on all texts, are: nature, love, Almro, pain, disappointment, it is, is.
Has contributed illusions Technical deepen the dimensions of the values of beautiful and tragic and led to Nmzjtahma and then disseminated, such as saying:
Ere the time of our souls in all seasons
Before and after the time for harvest
There is no new chapter
Of age Nriqbh while reaping the fruits of our emotions
And Nkhbiha in baskets
Remain sky hung above us
In the south close to the spirit
Supported by a cloud as possible
In addition to the illusions was the symbol of freedom, and the inability to achieve significant impact in the formation of chapters of the tragedy. Freedom is a beautiful concept and not on gaining the ability or inability to achieve is to generate a sense of tragedy. Perhaps linked to the concept of freedom and space Baghazalh spatial infinity, which moves the form of technical space and contributed to the tragedy in the circulation. Says:
Objects as beautiful land
Gazelle will go to the free
At noon
Go for the spring wash Hanaeha
Gloves in small rocks
Own desires remain the resulting chaos, beauty distributor
Between the fields and sun bed Snapelln present
Ghazala child morning darling in the trees of the words
Ghazala Nye furnished silence those
Gazelle yearning life to the same
Joyful wounded gazelle of musk
In the lip of the desire captivating
Ghazala freedom in Aloqasi, female metaphor
Wing imagination, sun Vdhaouatna rare
And finally stop when the note was the cause of the corruption of some of the texts and climates because in prose; Vavcqdt to the rhythm, and Ani by weight, characterized Balambeshrh and decision-making, and Altstah, and elongation / elongation of the phrase and position, and swelling, such as saying:
Close to me heart Cgsn
Linger until the hour
Before the spring Mnserbin
In the river singing marble, but you at night Ngterban
Song for the bed / on the silks dream
Tfsaha not the secret of this silence
In your eyes while Tsahben flute
In travel to / leaves nostalgia
It is also saying that
Scream from the balcony of the Salle
In building height
Is no desire to be free
Of being cut off emotional
Over in the grief and suffering
Such as algae growing
The silence of the cold walls
As we began our study of the group to al-Hazmi (gazelle drink image) with the text of the last Nkhtmha perhaps complete the picture we drawn to them. Says:
We will know that the curvature of tracks
Glassy our steps remain before the chance finally
There is no closer to the field of dreams
To reach us ...
Spirit to Sidra
This ambition, this insistence on the implementation and the feeling that this is possible and the embodiment of all that in the picture frame art of living, perhaps justifies the intersection of this group with the aspirations of many senior researchers from the creators of freedom and beauty and serenity and love.
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