Meta Theatre in the narrative part of the strategy.. To deal with AlmitAlmitamsarh in the narrative part of the strategy .. To deal with Western theatrical experience and open new horiamsarh in the narrative part of the strategy .. To deal with Western theatrical experience and open new horiWestern theatrical experience and open new horiamsarh in the narrative part of the strategy .. To deal with Western theatrical experience and open new horizons to write a theatrical Arab

If our strategy intertextuality and improvisation may Smta practice Almitamsrahih experimental open framework to deal with the theatrical experience of Western and open new horizons to write a play Arabic, the strategy of storytelling have made ​​the theater Arabs returning to the wealth of their own cultural, and trying to look for under Gaii accommodate practice Almitamsrahih and giving it a kind of privacy. If the theory has tried to link the Western Almitamsarh Basharia types drama, the theater Arab tried to make at the heart of Almitamsarh Find narrated the poetic drama, taking the traditional expanse workout spoken to it.

To recall the importance of good Not given to the Arab heritage in the writing of Arab playwrights. But how was the conduct of this theatrical tradition, were not positive in all cases.

That it produced a kind of writing under the authority of the implications of the traditional heritage of the audience made an end in itself, regardless of the justification for technical or intellectual authority to do so.As a result of this situation is a deep rift between creativity and theatrical Arab recipient. 

Tide in the context of this heritage, some caution Arab dramatists Almichbaan sense of a pilot based on the foundations of knowledge, aesthetic, self-conscious, that the mitigation   The severity of this situation as possible, and that by dealing with heritage as forms or formulas Gaúah. Due to the rich heritage and diversity of spoken its structure, the guided-Arab dramatists to a group of these structures always using as a base for development of theatrical perspectives and visions related intellectual concept of the theater in the Arab community.

Gaúah within this strategy, identified the features of the Arab Almitamsarh pilot. We can represent them with four basic structures raised our attention in the Arab theatrical text are:  

- The structure of digression and embodied the text of "Diwan Zinj" outburst of civil.

- The structure of inclusion Enchâssement   Represented by the text of the "Festival of Almhabiyl" poor person of Muhammad.

- The structure of representation Représentation And reflected in the text of the "Find a man with eyes only" for small Miskina.

- The structure symmetry Symétrie And crystallizes the text of the "drunken days to" Saad Allah and news.