Select Gerard Ginette Gérard Genette Subject of poetry in his book, "Tros Palimpsestes "In what he called the lessons - text Transtextualité . The distinction between the five types are: intertextuality IntertextualitéThe parallel text Paratexte And transcendence script Hypertextualité The Collector Text Architextualité , In addition to Almitanasih Métatextualité . As long as each style is based on relationship-specific text, the Almitanasih "is simply a relationship of" comment "text combines the text of another without talking with him to transmit it (or Isthoudrh) necessarily, but without naming it, at least it is the relationship [...] cash par excellence ".
The meta text is the process of integration after the money within the creative work. So, it pays to revisit the tradition has been to establish a firm distinction between the worlds of criticism and creativity.
It seems that the term chosen by Jeanette to express this overlap adequately, especially that related to the significance of the export tool, "meta" reflects two simultaneous Nkaditn are: inclusion and excess. One says, students in this regard: "Meta - Aatimologia - is" involves "and" beyond "also" .
Based on this analysis, we can say that the relationship is a relationship Almitamsarh Balmitans your year, because this procedure Almitanasi affects various literary genres were poetry, novel, or the scene.Perhaps that pairing races that led to the carving terminology enough to express it in contemporary criticism. So, no wonder that we find literary circles are trading terms such as: Almitchar, and Almitarwayh Almitamsarh.
This confirms that the terms overlap and fusion between the creative Cash and a general phenomenon in all races. But what is noteworthy is that this overlap has undergone throughout the history of creative practice Of two approaches: one is not subject necessarily spontaneous awareness of the mechanisms of the phenomenon and its dimensions, and the second translates a conscious aesthetic choice And intellectual background is governed by the theory of modernity can be labeled as Literary and critical. So, it is inevitable that the researcher Almitanasih this phenomenon in relation to the various races, to recall the distinction between these two approaches so as not to confuse the actions that arose from spontaneous creativity, and procedures that have turned to the literary choices are governed by Context-specific cultural features.
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